Le Nozze Di Figaro

The American Novelist, Tracy Grant, wrote among others about Eugenia Arsenis’ performance:

I once heard a master coach comment that in a successful production of Figaro, the audience doesn’t laugh when the Count says “Contessa, perdono,” because, though one has little faith in the future, in the moment he truly believes it. In this production, no one laughed. […] I emerged from this Figaro production inspired to write and actually found that I had a solved a plot problem.